Rescoring Movie Trailer

Film Composition Projects

For this project, I re-scored the original trailer audio from Midsommar, creating a new original composition. I used EQ techniques to isolate the actors’ dialogue so it could be layered into the mix. The piece was designed to evoke a sense of unease, reflecting the film’s atmosphere. I recorded and heavily distorted my own vocals, inspired by fairy-like creatures, blending delicate, almost ethereal tones with harsh processing to create something that feels uncanny.


Rescoring Movie Trailer

This is a reimagined music composition to the Disney short Film Paperman that I created. I wanted to create a composition that reflects the two characters interaction in the film with my own stylistic elements.

Electro Acoustic Compositions

This composition explores how sound behaves within dreams, presenting fragmented audio as reflections of memory. A single word, tone, or song can trigger vivid recollections; however, as memories become more distant, their original sound can become harder to recall. In dreams, these sounds often become distorted, shaped by the emotions tied to the memory or by how we feel in the present.

The piece draws on the idea of hypnagogic hallucinations auditory experiences that occur in a dreamlike state—where the brain pieces together fragments of sound associated with different memories to form a narrative. I selected audio clips that hold personal significance and manipulated them using Pro Tools and Max 8, distorting and reshaping them into a soundscape that reflects this phenomenon. The result blurs the line between reality and illusion, creating an environment where it becomes difficult to distinguish what is real from what is imagined.

My Music

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My Music 〰️

New Single Release April 30th


This is a original song that I wrote and produced during the pandemic. The lyrics are very reflective of the isolation. This was created on Ableton and Band Lab.


This was a song that I wrote when I was first learning to write and record music when I was 16. It was recorded on a microphone I bought at a garage sale and produced in Band Lab.